Bom Tempo: Sergio Mendes

It’s been very hot here in Washington for the past several days.  One of my small pleasures after work is a cold beer, and summer music on the speakers in the big room.

Here’s one that keeps playing, over and over.


Sergio Mendes – Bom Tempo (Concord)
Released – June 1, 2010

I’ve been listening to “Bom Tempo,” the latest release from Sergio Mendes, nearly non stop on the commute for the past several days.

Yeah, it’s that good.

Mr. Mendes, of “Brazil ’66″ fame, pretty much wrote the soundtrack of my late sixties life. The lush Brazilian beats, backing the iconic vocals of Lani Hall, Karen Philipp and Janis Hansen were recordings I played until the vinyl just plain wore out. Mr. Mendes has never been out of style in my book…although it’s clear he’s been working hard to reach out to a new generation.

“Timeless,” released in 2006 featured collaborations with several then-current pop acts, including The Black Eyed Peas, India.Arie and (yikes!) Justin Timberlake. “Encanto,” a 2008 release, featured more work with Fergie and the guys, as well as a reunion with Ms. Hall, and her husband – Herb Alpert.

But this year’s offering, “Bom Tempo,” may just be the best yet.

I’m particularly smitten with Nayanna Holley (pictured here), who is fluent in both Spanish and Portuguese. She takes the lead on the disco-tinged “You And I,” as well as “Emorio,” the track that leads off the disc, and includes samples of those sixties classic tracks like “Mas Que Nada” and “The Frog.” Ms. Holley, whose resume includes backing work with Sheryl Crow and Queen Latifah is also a familiar voice from a slew of commercials and television appearances.

Katie Hampton leads a driving version of Stevie Wonder’s “The Real Thing,” and teams with Gracinha Leporace (Mr. Mendes’ wife), and Jessica Taylor on an update of “Pais Tropical,” one of those signature tunes from Mr. Mendes’ songbook. Hampton and Leporace also update “Ye-Me-Le,” the title track from a 1969 recording.

With the right blend of today’s music sensibilities and a nod to the past, “Bom Tempo” is a very good time.  I’ll be playing this one over and over, all summer.

Highest recommendation.

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Speaking of summer music, here’s one of my favorites from k.d. lang.  From 2000, and the album “Invincible Summer,” here’s “Summerfling.”



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About Doug Boynton

A little about me? Fair question. My name is Doug Boynton. I’ve worked around the broadcasting business most of my life, as a journalist - or selling the works of other broadcast journalists. I’m also an aspiring mystery writer. I get a few review discs now and then, but most of what gets reviewed…is stuff I’ve purchased, and yes - I’m more inclined to buy stuff I know I’ll like. But the ability to download an album for ten bucks at iTunes or listen to a whole album at Yahoo! Music late on a Friday night with a beer in my hand means I’m ready to take a chance - if not on love (way too much of that in my past), at least on a few tunes. Let’s be clear - I’m a consumer. I attempt to be an informed consumer, but I’m no expert on who played sax on what. I can just barely tell my Nelson Riddle from my Billy May, but I know what I like. And the things I like, I try to find out more about. What I do like are mostly straight-ahead standards backed by a small combo. But every once in a while (more often, now that I’ve taken to listening to BBC’s Radio Two over the Internet), something will come along and have me scrambling to find out more. With a few clicks these days, that itch can be easily satisfied. You don’t agree? It’s okay. More often than not, my wife doesn’t either. Remember, this is something I do for my own amusement and education, and opinions are like elbows. Everyone has at least one. Want to play nice, and try your hand at a thoughtful 300-500 word review of something I’ve missed? Want to file a dissent? That would be great! Send it here. I can’t afford to buy all the music I’d like. I have too many ex-wives out there already. I’ll pay you with the eternal thanks of a grateful nation - or at least those who read this. All I ask is that it’s a female vocalist you’re reviewing - solo or fronting a band, and that you’re willing to put your real name on the review. Thanks for stopping by this time.
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