A Little Time Travel in Africa

Golden Tulip

This has been an unusual trip.  From Senegal, where we celebrated the launch of a new radio affiliate, to Accra, Ghana – where we met with partners and friends, both old and new.  There was some downtime, waiting for the car to take me to the airport for the overnight flight to London.  Freshly showered and shaved, I sat on the balcony of my room with a cold beer, and listened to the stuttering metronome (and muttered curses) of the two fellows playing tennis down below.  And from the laptop inside the room, through those tinny little speakers, Dawn Lambeth took her turn in the rotation.

I closed my eyes, and for few minutes, it was sixty or seventy years ago.

Dawn LambethDawn Lambeth

Dawn Lambeth – Let’s Get Lost (Spanish Shawl)
Released: November, 2007

Some discs beg for the big speakers in the big room.  Those are the ones with the big bands, the lush strings, the full-throttle singers.  Dawn Lambeth and her band are smaller than that.  Smaller in size perhaps, but certainly not in quality.

There’s a relaxed simplicity that I find appealing, a swingy style that’s hard to resist.  I took a second trip through the tracks, and paid more attention to the backing band.  It’s larger than I first thought.  The band actually numbers eight members; and while there are a number of notable solo performances (including a whistler), there’s no doubt about who’s up front here.

It’s the girl singer, and she’s doggone good.

These guys do a great job of framing Ms. Lambeth’s classic alto, reminding me of a young Jo Stafford.  Close your eyes, and you can almost hear the radio announcer saying, “Now from the ballroom of the elegant Metropole Hotel, the music of…”

Lots of clarinet (from Rob Reitmeier) helps evoke the 30s and 40s, and is what made the tracks jump out for me in the first place.  A toast would be appropriate – to Marc Caparone on coronet and bass; his dad, Dave, on trombone.  John Smith on saxophone, Clint Baker on guitar and bass.  Jeff Hamilton on drums, and John Reynolds on guitar and banjo.  He’s also the whistler on Irving Berlin’s “Isn’t This A Lovely Day (To Be Caught In The Rain),” one of my favorites on the disc, along with Frank Loesser’s swingy “I Wish I Were Twins.”  Chris Dawson on piano keeps everything moving along nicely, and stands out on several tracks, including the title track, “Let’s Get Lost.”

But it’s Ms. Lambeth’s voice that makes it all work.  All this simplicity is tougher than it seems, in that there’s no scooping into the notes, just a crisp forward motion, given Ms. Lambeth’s gifted talent for phrasing.  She makes it seem simple, and that’s her great talent.

A whopping eighteen tracks on this disc make it a value in more ways than one.  Plenty of classics, such as ”My Blue Heaven,” and “Give Me The Simple Life” are included.  But there are also some lesser-known gems, like “I May Be Wrong (But I Think You’re Wonderful),” a 1929 tune from Henry Sullivan and Harry Ruskin.

This disc is filled with very, very good stuff – and is very highly recommended.

Three and one-half stars (out of four) – MySpace  Website

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About Doug Boynton

A little about me? Fair question. My name is Doug Boynton. I’ve worked around the broadcasting business most of my life, as a journalist - or selling the works of other broadcast journalists. I’m also an aspiring mystery writer. I get a few review discs now and then, but most of what gets reviewed…is stuff I’ve purchased, and yes - I’m more inclined to buy stuff I know I’ll like. But the ability to download an album for ten bucks at iTunes or listen to a whole album at Yahoo! Music late on a Friday night with a beer in my hand means I’m ready to take a chance - if not on love (way too much of that in my past), at least on a few tunes. Let’s be clear - I’m a consumer. I attempt to be an informed consumer, but I’m no expert on who played sax on what. I can just barely tell my Nelson Riddle from my Billy May, but I know what I like. And the things I like, I try to find out more about. What I do like are mostly straight-ahead standards backed by a small combo. But every once in a while (more often, now that I’ve taken to listening to BBC’s Radio Two over the Internet), something will come along and have me scrambling to find out more. With a few clicks these days, that itch can be easily satisfied. You don’t agree? It’s okay. More often than not, my wife doesn’t either. Remember, this is something I do for my own amusement and education, and opinions are like elbows. Everyone has at least one. Want to play nice, and try your hand at a thoughtful 300-500 word review of something I’ve missed? Want to file a dissent? That would be great! Send it here. I can’t afford to buy all the music I’d like. I have too many ex-wives out there already. I’ll pay you with the eternal thanks of a grateful nation - or at least those who read this. All I ask is that it’s a female vocalist you’re reviewing - solo or fronting a band, and that you’re willing to put your real name on the review. Thanks for stopping by this time.
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