Tag Archives: Gina Saputo

Gina Saputo + Matt Politano – Duetto

Once upon a time, I ran a little internet music station that cranked out my favorite 3000 tunes and news on the hour. The regular audience was about 50 people around the world who shared my eclectic taste in music. After the music industry stomped out independent streamers with hefty licensing fees, my pipsqueak station played to an audience of only one – me.

And it still does.

I do subscribe to “Martini in the Morning,” an online outlet run by pal Brad Chambers that comes closest to my musical taste – although he plays not nearly enough jazz from the UK, a subject he and I discuss from time to time.

One recent morning, Brad mentioned that the backing vocalist behind one of the tunes from Jeff Goldblum’s new big band album is a woman named Gina Saputo – he says she’s been a fixture in the Orange County, California, business and that he thinks she’s headed for big things.

And I’m going – “Hey, wait! I know her work!”

And I have for a long time.

Gina Saputo - Duetto

Gina Saputo + Matt Politano – Duetto
Released – 19 October 2019

(Swingfest)

I was aware of Gina Saputo on a Friday night in Irvine, California. It was 2008. Impressive young woman, I thought. I looked her up on MySpace (that’s how long ago this was) and snapped up an album – “Swingin’ On A Star” to buy. Piano by Gerald Clayton, and produced by Tierney Sutton, no less.

But that was 2008.

These days, Jeff Goldblum (yes, that Jeff Goldblum) has an album with the Mildred Snitzer Big Band that features a short track with Ms. Saputo (“If I Knew Then”), which only brought her back to the forefront for me. There’s also a new album – this one, “Duetto” – which I snapped up, based on what I heard on the Goldblum set.

These are mostly straight-ahead American Songbook covers, with a couple of trips down side streets. In my view, one of the best of the dozen tracks is a remake of Frank Sinatra’s 1954 “I Could Have Told You,” expertly sold by Ms. Saputo. Sarah Vaughn’s 1946 performance of the Raymond Leveen and Louis Singer tune “I’m Scared” gets covered here, too. It’s a pair not often heard.

Gina Saputo

What a difference a decade makes. Don’t get me wrong – the young woman was outstanding. The fully blossomed woman is so much better. Ms. Saputo struts the kind of chops that only come with that extra decade of life. No one to hide behind except a perfect Mr. Politano on piano. And it’s a tightrope act that Ms. Saputo pulls off with no effort at all. Props to recording engineer and producer Tony Guerrero. Recording such a quiet album must be a challenge.

Besides “I Could Have Told You,” other favorites for me include the opening “Ain’t Misbehavin’,” and the trippy “Lullaby Of Birdland.”

I’m so pleased to have crossed musical paths with Ms. Saputo again. She’s back in heavy rotation on the personal tune machine. As she should be in yours.

This set is very highly recommended.

Website

Photo credit: Cris Stroud, Hair by Lyndsay Maderis
Photo from Ms. Saputo’s website.

a friday in fullerton: with gina saputo

It was a long weekend in California – to a writers’ conference, working on that other thing I’d like to do someday.  I learned lots of new things, met many interesting new people, and spent Friday night in Fullerton, in Orange County – at a club called “Steamers Jazz Club and Cafe.”

And there, I got an introduction to Gina Saputo.

Before I packed up, a little Googling led me to quotes like “a young Sarah Vaughan” from the LA Times, or that she’s five years out of USC (on scholarship) with a degree in Jazz Studies.  Ms. Saputo has done backup work for the likes of Barbra Streisand, Barry Manilow, Neenna Freelon, and Bonnie Raitt.

Nice blurbs from Tierney Sutton, who produced Ms. Saputo’s first album.

But nothing compared to the recommendation from the fellow on the phone when I made the reservation. 

“You like girl singers,” he said, “you’re gonna love her.”

He was right.  As I write this, I’m listening to tracks from Ms. Saputo’s MySpace site, and I’m reminded not only of her range but her stellar phrasing – whether a ballad or some of the swinging rafter-shakers that closed the set.  Easy banter with the band and the audience – a cool pair of socks from a Japanese tour, and half song’s worth of channeling Billie Holiday made it a fun night out.

The backing band included Yoon-Seung Cho on piano (with whom she’s working on a new recording), Steve Pandis on bass, and Evan Stone on drums.

By the end of the first set, they were firing on all cylinders.  The venue is a good one – I’d recommend reservations and early arrival for a close-up view.  Being a tourist, I was unfamiliar with it – but I’ll be back when I return for next year’s conference.

I hope Ms. Saputo is there, too.